Hyped to share that our track Invincible Teenager was featured in the trailer for People We Meet On Vacation. The film brings a grounded mix of friendship, travel, and reconnection to the screen, making this a fun one to be part of.

Regulatory attention toward performance licensing is increasing as questions surface about how certain organizations present their catalogs and solicit licenses. These concerns highlight the need for clearer standards that support creators, protect businesses, and maintain transparency across the music ecosystem.

Our track Jukebox by Darby Phillips and Nathan Fields was featured in the trailer for Ready or Not 2: Here I Come, a fresh take on the original film’s mix of tension and dark humor.

Album art has always shaped the way we experience music. From bold vinyl sleeves to digital thumbnails, visuals continue to influence discovery and connection in the streaming era. Here’s why strong design still matters—and how it supports music discovery today.

Our remix of A$AP Ferg’s “New Level” was featured across two connected clips promoting the upcoming film Marty Supreme.

Music piracy remains a major challenge for the industry, and a recent case involving Cox Communications highlights how copyright enforcement and internet access intersect. The situation shows how both music rights holders and internet providers are navigating responsibility in a fast-changing digital landscape.

A new study from Australian researchers suggests that consistent music engagement in later life may be linked to a lower risk of dementia. The findings highlight music as an accessible activity that could support long term cognitive health, though more research is needed to confirm causation

Blending organic and synthetic sounds is one of the most powerful ways to build tension and emotion in music. From film scores to trailers like Tales of the Underworld, the contrast between warmth and unease creates soundscapes that feel both grounded and otherworldly.

This year’s Clio Entertainment Awards highlighted a wide range of strong creative work across film, television, and digital campaigns. Through our trailer music publishing arm, Black Sheep Music, we were part of a few projects recognized this season, contributing sound design for the teaser of Weapons and providing music for the HIM Trailer. A meaningful stretch of collaboration all around.

A new set of AI licensing agreements between a music technology company and all three major music groups marks a notable shift in how AI driven music tools are developed. The framework focuses on licensed training, creator protection and responsible expansion across the wider industry.

Our track "Don't Answer That Door" by Nathan Fields was featured in the campaign for It Was Just An Accident. This project leans into grounded tension and quiet mystery, creating a story that stays with you long after it ends.

A new global survey reveals that 97% of listeners can no longer tell the difference between human-made and AI-generated music. As artificial intelligence reshapes the sound of modern music, questions about authenticity, creativity, and transparency are becoming harder to ignore.

Horror trailer music has moved beyond simple jump scares. Today’s scores use infrasound, dissonance, silence, and experimental textures to build anticipation and unsettle the imagination. Here’s a closer look at the trends shaping the sound of fear—and how modern tools are helping creatives find the perfect track faster.

Our tracks landed in Faceoff: Inside the NHL. A closer look at the series and the music that helped shape its tone.

Universal Music Group has settled its lawsuit with AI music generator Udio, marking a major turning point for the industry. The two companies are now partnering to launch a new AI-powered music creation and streaming platform in 2026, signaling a shift toward collaboration between technology and music rights.

Hyped to share that our sound design elements were featured in the campaign for Bugonia. The film blends dark comedy, sci fi and social satire, following two conspiracy minded men who kidnap a pharmaceutical executive they believe is an alien.

Hyped to share that sound design from Black Sheep Music was featured in the campaign for The Fantastic Four: First Steps. Big thanks to the film’s team for bringing us on this one!

ASCAP, BMI, and SOCAN have officially updated their registration policies to include works that are partially generated by AI. The move marks a major step in defining how performance rights organizations handle authorship in an era where human creativity and machine assistance increasingly overlap.

Our remix of “Unbelievable” by Nathan Fields lands in the official trailer for The Family Plan 2 on Apple TV +. A fun, action-packed project to be part of!

The word “drop” gets used a lot in the trailer world, often confused with stopdowns or just mistaken for a big hit. In reality, the drop is the full-energy moment after a buildup, when the music slams in and momentum takes off. Here’s a clear look at what a drop really is, how it works, and why it matters in trailer scoring.